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From Shelley's Website.....
ANCIENT HISTORY
....I was raised in the charming and nurturing, rural community of Bryan
Ohio. Following interests in the arts, my undergraduate degree was in Art
and Commercial Design, from Stephens College, Columbia, Missouri. The
smartest thing I ever did in college was to choose to KEEP GOING...
....Therefore, I earned a Master of Arts Degree in Fine Art - Drawing and
Painting, from University of Missouri. If I tell you when, it will ruin
everything, so let's just pretend I am really .... youthful.
My intent was to teach drawing and painting on the college level, and for a
very short time I did. It was one of the most fulfilling experiences I have
had. Raising children was another...
REAL LIFE
I am married and live in Grosse Pointe Farms, Michigan. We have two grown
children, who in turn have wives and husbands, and here I am compelled to
make up something that would really grab your attention -- like "I raise
Alpacas, climb mountains and pilot a jet", but I don't!
ART LIFE
.....Instead, I try to do my artwork and art business as much a possible.
While trained mostly in OILS, I have turned to PASTEL and OIL PASTEL because
of the drawing quality of both mediums, as well as the immediacy of "drawing
from ones fingers". Oil Pastel and Pastel travel very easily, and for me
that is important, because I do a good deal of work while traveling.
Traveling has influenced and directed my subject matter, and I admit to
rendering a wide range of subjects.
INFLUENCES
I often work on dark papers, bringing the images out of the darkness and
into the light, as I apply the medium. The effects of light at sunrise and
sunset influence much of my work, while theatrically posed stage lighting is
also an interest. Many pieces are outgrowths of those influences. In that
direction, an emotive allegorical still life series on black paper is
on-going and active, as is a new series exploring emotions and stories
expressed in faces of animals seen in dramatic back light.
Most of my work is representational, based in a desire to utilize strong
design elements while employing active color relationships. Accurate
draftsmanship is important to me and is the basis of most of my work, though
I long to be loose and abstract. Go figure!
I am influenced by my conservative life style which may explain a direction
toward realism, by seeing vivid color in all things, by the inspiration of
land and sea, and by the interaction of subjects in dramatic lighting.
ARE WE HAVING FUN YET?
Though my direction in art is very serious, I often express humor in my work
-- Though a picture IS worth a thousand words, titles are often the capstone
for a viewer, and therefore are part of the fun of my work ... the hunt for
thought provoking titles.
ARTIST'S STATEMENT
I HAVE NO IDEA WHY THEY CALL IT ART WORK ... AS FAR AS I AM
CONCERNED, IT SHOULD BE CALLED ART PLAY!
Having said that, I take an extremely serious approach to being a studio
artist. Creating these pieces in the thoughtful solitude that I require
excites, electrifies and rejuvenates me ... If I stopped there, that
would be fine.
But, sharing my art and having a viewer connect with what I do, totally
completes the process. |
National Award Winner
Gicleés available
National Award Winner
Gicleés available
All works in oil Pastel
Recent Awards:
BEST OF SHOW Lawrence Street Gallery 20th Anniversary
Exhibit, August 2007
for the work entitled "Rosie's Gaze"
BEST OF SHOW 2007 Oil Pastel Society of America Member
Exhibit,
for the work entitled "You Were Here"
BEST OF SHOW 2006 Annual Members Exhibition -- Grosse Pointe
Artists Association, for the work entitled "Keys Eye Chart"
HONORABLE MENTION 20th Anniversary Lac Ste. Claire Fine Art
Fair - 2007
1st PLACE VIEWERS CHOICE AWARD, 2006
Oil Pastel Society Of America Member Exhibition for the work entitled
"Rosie's Gaze", online at Oil Pastel Society 2006 Exhibit
HONORABLE MENTION 2006 Oil Pastel
Society Member Exhibition
3rd PLACE PROFESSIONAL DRAWING 2006 Michigan State Fair Fine
Art Competition
HONORABLE MENTION 2006 Lac Ste. Claire
Fine Art Fair - for body of work, in category of 2-D work.
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"You Were Here"
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Shelley G Schoenherr
"Dramatic stage lighting
in each of my recent pieces in oil pastel creates the mood of the artwork.
The mood in enhanced by asking spot lighting to shine on the objects in the
story, illuminating the scene. Items in the work act as stand-ins for
persons and situations in my life, and each artwork in my series tells an
allegorical tale. Contrasting colors add to the conflict … Active strokes
of the medium enliven the activity on the imagined “stage” and the strange
story unfolds, as each playgoer is encouraged to privately interpret what
they see.
My
medium of choice is OIL PASTEL. The use of charcoal paper or brown paper
allows me to build and urge images to spring forth from darkness, and into
theatrical light. Often I scumble layer upon layer of different colors to
produce color depths, much like an oil painter uses the classical glazing
process.
Trained with a Masters Degree in Fine Art in Painting and Drawing
(University of Missouri, 1971), I am excited by the use of oil paint, but
enjoy most, the pure act of drawing in color … with these vibrant and oily,
waxy OIL PASTEL sticks, I have discovered a wonderful marriage between the
personality of drawing medium AND the excitement of the oil paint.
By
sharing my works with viewers, I hope to raise the appreciation of this
wonderful and serious medium ~ Oil Pastel"
Visit Shelley's Website
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